"Naked Eyes" : Analysis of  the "Naked Eyes" Arc of ABC-TV's Port Charles
(c) Alison Armstrong
An analysis of the "Naked Eyes" episodes of the show Port Charles, formerly of ABC-TV. This  site will focus  on the scenes featuring the vampire character Caleb Morley/Stephen Clay (portrayed by actor Michael Easton).  The character of Caleb Morley/Stephen Clay and any other characters relating to Port Charles are the property of ABC and their creators.  This is a fan-run site and is not an official site, nor is it affiliated in any way with ABC, Port Charles, or the actors portraying any of the Port Charles characters.  No copyright infringement is intended. The writings on this site are copyrighted by the author, Alison Armstrong,  and may not be reproduced without the author's express permission.
"Naked Eyes" #4 (cont.)

He looks at a plate of Halloween treats, wax candy fangs, and smirks appreciatively.  “Nice touch, Joshua.  Very nice,” he murmurs.  “Everything’s perfect.  Well, almost perfect.”  He bends his head to put on a glittering Carnaval mask, and like a Roman emperor presiding over an orgy, announces,  “Let the party begin.”
As in the film “Eyes Wide Shut,” this is a realm of mystery and enticement.  Glamourously-costumed people in masks writhe and embrace, fondling each other on voluptuous couches.  The traditional moral standards do not apply in this sensual  sanctuary; taboos are transgressed, gender roles subverted.  It is the realm of the vampire, the artist, those who transcend boundaries.  Although this gala has been designed to celebrate Halloween, it is really an erotic masquerade that happens to feature Halloween trappings—skeletons, fang-shaped candy, etc.  This is clearly no children’s trick-or-treat party, no silly scare-fest.    The significance of this event goes far beyond the one-day-a-year contemporary celebration we know as Halloween and harkens back to more ancient pagan rituals. Its meaning is timeless, symbolically expressing the forces of life and death, light (fire) and darkness (night), ecstasy and fear.  It celebrates the harvest, the sacrifice (death) of the grain creating the nourishment we need to survive the winter.  Like the vampire, this masquerade and the symbols associated with Halloween (scythes, skeletons, ghosts, etc.) represent the eternal cycles of nature, life feeding on other forms of life in order to survive, life overcoming death, the libido awakening us from emotional stagnation.

As Karen, Frank, Chris, and his girlfriend Doree arrive at the party, Joshua welcomes them, handing them masks as their “passports.”  Explaining the importance of the masks, Joshua tells them, “The masks will protect; the masks will free you.  They’ll allow you to find your hidden self, the one you keep buried.  The masks will allow you to lose all your inhibitions and all your expectations.  Let go.  Let go and be who you really are.  That is what the Stephen Clay Experience is all about.  Let go.  Let go.” 

The masks give you anonymity, the freedom to explore aspects of yourself you have stifled behind a stale, ill-fitting façade of “normalcy.” You peel off the constricting social veneer you have worn so long you don’t even realize how uncomfortable it has been all these years, and as you place the glistening new mask against your skin, you feel the tingle of exciting possibilities.    You are rebirthed into a new self, vital and creative.  The magic of masks, used by shamans to channel sacred entities, allows you to experience, at least temporarily, what you dream of becoming.    As you connect with the mask and allow its magic to infuse your soul, you nurture the potentials you desire.

Like a god of pleasure, Stephen is caressed and worshipped by his beautiful, adoring throng of groupies. He grants them the gift of his enticing flesh and mesmerizing presence but does not yield his innermost self to any of his devotees.   A part of him remains inviolate, vulnerable only to the woman who has forever scarred his heart.   Emotionally distant from the women he enchants, Stephen observes all who wander through his realm.  He watches Karen, Frank, Chris, and Doree explore the sensual delights; he prowls amidst the hedonists, touching, sampling everything and everyone he wishes.    He places his hands on an attractive woman’s behind, brushes his fingers across the bodies of his masked guests.    As Karen savors a massage from a handsome stranger, Stephen sneaks up in back of her, his fingers slithering down her spine.  She feels a chill, as if sensing the presence of danger, the death lurking within the bliss.
"Naked Eyes" #4 (cont.)
Snappies of "Naked Eyes" scenes taken by A. Armstrong